N scale terrain set completed for a 30 second Hot Wheels Mega-Wrex vs Crushzilla Playset commercial that aired on Cartoon Network as part of the “Scoobtober” special.
The set was built on a 6’x4’ platform with an additional 6’x16” road piece that could be removed when not needed. The prompt was to create something reminiscent of old Scooby Doo cartoons, hence the spooky fence and gnarled trees, in a style suggesting a kid could’ve made it.
1:12 scale interior created for the cover of the upcoming “Seedbed” album. This miniature is a replica of the room much of the album was recorded in and subsequently features miniature sound equipment such as synthesizers and microphones. Every aspect was created entirely from scratch, including the functioning lamp.
Cover photography by Tay McCormick
Original watercolors by Anna Staddon
Rework of a thrift store figurine into a folk art inspired Bilbo Baggins type. Head, hair, feet , and platform were entirely re sculpted with paper clay, which was then followed with a re paint and vest makeover.
1:24 scale model based off of a house in Savannah, GA.
Every element is handmade, primarily from foam core and Bristol board. Painted using acrylic paint and chalk pastels.
Rework of a broken big box store Halloween decoration. The entire piece was repainted with acrylic paint and chalk pastels, with towels and side table sculpted out of paper clay, a necklace frame, and scrap wood. The heaps of bubbles were created with individually placed beads, and the vintage tile base is a reimagined and carefully painted cake impression mat.
Stands 7.5” tall.
1:24 scale speed build done in collaboration with Jared Foust (@xenofauna on Instagram) for the Silver Scream Spook Show at the Plaza Theatre in Atlanta. Jared had a vision for a short film inspired by At the Earth’s Core where the Plaza itself would burrow below the surface of the Earth, and tasked me with the first gag of the cutaway, a fallout shelter with a skeleton.
The interior is constructed primarily from bass wood and bristol paper with a 3D printed skeleton that I tediously re-posed for the scene.
